胡适:觇国之道要 在求了解—— 《美在其中》
1934年，胡适为嘉华露《美在其中》摄影集题词，全文如下：
In 1934, Hushih wrote an inscription for Dr. Alfred De Carvalho’s album named <THERE IS BEAUTY WITHIN>, the full text reads as follows:
In 1934, Hushih wrote an inscription for Dr. Alfred De Carvalho’s album named <THERE IS BEAUTY WITHIN>, the full text reads as follows:
觇国之道要在求了解，见怪不足怪，见可鄙薄亦不必嘲讽，要认清这都是供我们了解的资料。嘉华露君此册不但可助我们了解自己，又可助世人了解我们，故可宝贵。
To observe the national conditions, the key point is to understand, unusual things would be usual, scornful things would not be sneered, we should know it clearly that all these are materials for us to understand. The album of Dr. Alfred De Carvalho not only helps us to know ourselves but also helps others to know ourselves, so it is of great value.
To observe the national conditions, the key point is to understand, unusual things would be usual, scornful things would not be sneered, we should know it clearly that all these are materials for us to understand. The album of Dr. Alfred De Carvalho not only helps us to know ourselves but also helps others to know ourselves, so it is of great value.
▲嘉华露《美在其中》之胡适所作序言
Dr. Alfred De Carvalho <THERE IS BEAUTY WITHIN>
Dr. Alfred De Carvalho <THERE IS BEAUTY WITHIN>
——这个简短的题词，将摄影的“可助了解”性与“觇国之道”相类比，并将其置于创作和接受的双向互动中予以阐发，可能是我国最早的从接受美学角度对摄影艺术的社会功能及其鉴赏特征进行的论述。
简介： 嘉华露《美在其中》
此书为硬皮精装，照片印刷精美，封面蔡元培题字“美在其中”、上海印刷印书馆馆长邝富灼与著名学者胡适为其写序，是研究民国摄影史的重要善本。
作品特色:
不同于民国同时期画意摄影师的作品，嘉华露的作品大胆采用现代主义摄像风格，用长焦镜头，突显静物的细节与质感，每一帧画面都显得那样鲜活真实，每一副作品都好像能看到当时的自然风光与世态人情。
不同于民国同时期画意摄影师的作品，嘉华露的作品大胆采用现代主义摄像风格，用长焦镜头，突显静物的细节与质感，每一帧画面都显得那样鲜活真实，每一副作品都好像能看到当时的自然风光与世态人情。
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